New York: Oxford University Press.ĭraganova, Asya, Blackman, Shane and Bennett, Andy (eds) (2021) The Canterbury Sound in Popular Music: Scene, Identity and Myth. Cambridge: Polity.Ĭarah, Nicholas, Regan, Scott, Goold, Lachlan, Rangiah, Lillian, Miller, Peter and Ferris, Jason (2020) ‘Original Live Music Venues in Hyper-Commercialised Nightlife Precincts: Exploring How Venue Owners and Managers Navigate Cultural, Commercial and Regulatory Forces’, International Journal of Cultural Policy, 27, 621–635.Ĭavicchi, Daniel (1998) Tramps Like Us: Music and Meaning Among Springsteen Fans. YouTube: Online Video and Participatory Culture. Basingstoke: Palgrave.īennett, Andy and Strong, Catherine (2018) ‘Popular Music Heritage, Grass-Roots Activism and web 2.0: The Case of the ‘Save The Palace’ Campaign’, Cultural Sociology, 12(3): 368–383.īurke, Matthew and Schmidt, Amy (2013) ‘How Should We Plan and Regulate Live Music in Australian Cities? Learnings from Brisbane’, Australian Planner, 50(1): 68–78.īurgess, Jean and Green, Joshua. Vanderbilt University Press.īennett, Andy and Rogers, Ian (2016a) Popular Music Scenes and Cultural Memory. (eds) (2004) Music Scenes: Local, Trans-local and Virtual. Amherst: The University of Massachusetts Press.īennett, Andy and Peterson, Richard A. Stith (1980) On Becoming a Rock Musician. Bennett (eds) The Canterbury Sound in Popular Music: Scene, Identity and Myth. 205–220.īennett, Andy (2013) Music, Style and Aging: Growing Old Disgracefully? Philadelphia: Temple University Press.īennett, Andy (2019) ‘“On the programme tonight”: The Old Grey Whistle Test as Tastemaker for British AOR Audiences in the Early 1970s’, Popular Music History, 12(3): 316–332.īennett, Andy (2021) ‘The Canterbury Sound as a Local, Trans-local and Virtual Scene’, in A. Nashville, TN: Vanderbilt University Press, pp. Peterson (eds) Music Scenes: Local, Trans-Local and Virtual.
London: Palgrave Macmillan.īeer, David (2008) ‘Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0’, Cultural Sociology, 2(2): 222–41.īennett, Andy (2002) ‘Music, Media and Urban Mythscapes: A Study of the Canterbury Sound’, Media, Culture and Society, 24(1): 107–120.īennett, Andy (2004) ‘New Tales from Canterbury: The Making of a Virtual Music Scene’, in A. (1998) ‘Inciting Sociological Thought by Studying the Deadhead Community: Engaging Publics in Dialogue’, Social Forces, 77(1): 1–25.Ītalan, Abdulkadir (2020) ‘Is the Lockdown Important to Prevent the COVID-19 Pandemic? Effects on Psychology, Environment and Economy-Perspective’, Annals of Medicine and Surgery, 56: 38–42.Ītton, Chris (2010) ‘Popular Music Fanzines: Genre, Aesthetics, and the “Democratic Conversation”’, Popular Music and Society, 33(4): 517–531.īailey, Steve (2005) Media Audiences and Identity: Self-Construction in the Fan Experience.
0 kommentar(er)
